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Watch: Nationwide Series GarageCam, 12:10 p.m. ET

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first_imgWATCH: Throwback: Dale Jr. wins, Sept. 2011 MORE: READ: Dover’s Top 10 Monstrous moments Live from Dover, Nationwide Series GarageCam, 12:10 p.m. ET, Sept. 27center_img WATCH: Preview Show for Dover’s AAA 400 READ: Paint Scheme Preview; see Kenseth’s wraplast_img

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5 Reasons Not To Miss The Inaugural NOLA Crawfish Festival In Days Between Jazz Fest

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first_imgThe inaugural NOLA Crawfish Festival runs during the days between Jazz Fest, from April 25th through the 27th. The fest brings together all the elements of a perfect party: Awesome music, delicious food and plenty of refreshing beer. With music fans everywhere descending on New Orleans for beloved music festival, the city is gearing up to show the world why it’s known as one of the greatest places to party on the planet. While there’s no shortage of fun to be had during Jazz Fest itself, there is a three day lull in between weekends that cried out for a party, and those pleas were answered by the NOLA Crawfish Festival. Situated in the “Daze Between,” the Monday, Tuesday and Wednesday when Jazz Fest is resetting itself, the NOLA Crawfish Festival is giving local fans and visitors to the Crescent City alike a way to let the good times keep rolling.Here’s the top five reasons why you shouldn’t miss out on this incredible opportunity for a once-in-a-lifetime combination of authentic New Orleans tunes, food, friends and fun.1. The MusicThe musical legacy of New Orleans will be on display for all three days of the NOLA Crawfish Festival, with appearances by local legends like The Meters George Porter Jr., Dumpstaphunk‘s Ivan Neville, Anders Osborne, The Radiators’ David Malone, Papa Mali, Papa Gros and many more in a series of incredible, once-in-a-lifetime jam sessions. Gathering so many gifted improvisers together and turning them loose guarantees that, wherever the music flows, the players will be ready for whatever they throw at each other. There are also a few of Nawlins stalwart bands on the bill, including Billy Iuso & The Restless Natives, Honey Island Swamp Band, Colin Lake, Mike Zito & The Wheel, and Johnny Sansone who will be delivering sets of home grown funk to the lucky attendees.  2. The FoodThe NOLA Crawfish King himself, Chris “Shaggy” Davis, will be on hand to feed the crowd with his world famous crawfish boil. No stranger to music events, Shaggy has earned a reputation as the “Go to” source for anyone who wants to bring the spirit of New Orleans to their shows across the country. Ever since a fortuitous accident brought him to the city decades ago, Shaggy has worked to unite the community through his lovingly prepared boil.  Using the freshest ingredients and an on-site boiler system, Shaggy will be overseeing the preparation of thousands of pounds of tasty crawfish and fixings for the crowd.  The best part?  The incredible feast is included in the ticket price, and you’ll find yourself bellying up to the buffet tables next to fellow fans and musicians alike.NOLA’s Crawfish King Is Cooking Up A Whole New Festival3. The BeerThanks to the NOLA Crawfish Festival host, the NOLA Brewery, there’s no worries about running out of tasty beverages to wash down all that scrumptious crawfish boil. The NOLA Brewery has earned a strong reputation for crafting a wide selection of year round offerings like ales, IPAs, stouts and special, seasonal concoctions that reflect the ingredients available during the different stages of the year. To help wash down all the wonderful food, there’s nothing better than an ice cold, hand crafted beer, and The NOLA Brewery is even crafting a special, limited edition signature brew to help wash down all the wonderful food that crowds will enjoy.4. The LocationThe city itself is more than just a backdrop for the NOLA Crawfish Festival; its laid back demeanor and round-the-clock celebration is the very ground on which the event is built. New Orleans is a hodgepodge of building styles that reflects the diverse heritage of its citizens. Countless homegrown legends have emerged from the Crescent City in nearly every genre, from funk to jazz to rock and beyond. And of course, there’s the city-wide commitment to gather together for practically any excuse to party at the drop of a hat! 5. The TimingThe saddest sounds you’ll ever hear in New Orleans during Jazz Fest are always the last notes of the night. The three days in-between the official event weekends usually leaves diehard music fans adrift during the daytime hours, with nothing to feed their cravings until the night-time shows.  With the arrival of the NOLA Crawfish Festival, those three days are a shining oasis of revelry.With all the wonderful reasons to attend, it’s hard to imagine a better way to spend the days between Jazz Fest weekend than listening to some of the finest in New Orleans music, bellying up to tables laden with some of the best crawfish boil in the world, and  washing it down with a variety of locally made craft beers. With the addition of the NOLA Crawfish Festival to the Jazz Fest season, it’s possible to spend ten straight days going around the clock in a magical musical marathon. Join the fun and get your tickets while they last HERE.You can enter to win tickets below!last_img read more

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Pretty Lights Takes On Telluride With Fresh Perspective

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first_imgWhen last we met in this Southwestern Colorado mountain town one year ago, the Pretty Lights Analog Future Band changed the game, the traveling PL-fans from all over the country impressed the locals, who were all happy to welcome the fan-base back to Telluride, CO for a second two-night run.The ever-evolving lineup of musicians who support Derek Smith, now includes new drummer Alvin Ford Jr., along with PL-Veterans Brian Coogan (Hammond B3, Clavinet, Wurlitzer), Break Science’s Borahm Lee (Prophet, Farfisa, Fender Rhodes) and Chris Karns (turntables).  The PL Live Band took the project to new places with fresh takes on old school jams, classic rock remixes to stoke the locals, and brand new improvisational vintage future sounds.Something about the Telluride altitude elevates Pretty Lights Music and it was obvious that last year was a major turning point for the project.  The Telluride 2015 experience seemed to really deliver on the idea that this project goes beyond just the music; it’s a broader thing, about the family vibes of a group of travelers who rely on each other, who contribute to the experiential vibes that the band feeds off of, along with an improved and completely in-house approach to video (much of which was shot by Smith in the days ahead of the shows), along with a new lighting approach, where lasers and lights were accented by glittery raindrops on night two.In the past, PL-heads would live and die by set lists, hoping for rare gems, but with the current incarnation of the band, all of the music is new-sounding with way more empty space which creates a head nod hip-hop vibe that seemed to look back from the future toward Derek’s earlier collaborative hip hop project, Listen, where he was an MC and producer. This decade-plus old hip hop legacy came to a culmination on night two, where Derek asked drummer Alvin Ford Jr. to lay down a beat for him to ad-lib three full verses, providing a platform for the usually vague Smith to directly address the Telluride crowd, letting them know that the collection of letters delivered to him by the fans the previous year made him cry and changed his life, along with the his perspective on what the PL project is. Tossing his trademark Yankees hat into the crowd and removing his hood for the last two tracks of the weekend emphasized the extent to which Derek had put himself out there this weekend.  And everyone was most definitely on the same page.– words Brian Jonke [all photos courtesy of Djivan Schapira – B.A.D. Photography] Load remaining imageslast_img read more

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Dirtwire and an-ten-nae Showcase New Material in SF

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first_imgLoad remaining images The Bay Area is an established hotbed for progressive dance music, birthplace of the psychedelic revolution, and a veritable headquarters for the Black Rock diaspora. This unique cultural alchemy makes the cities suitable hosts of all things avant-garde, a most fertile garden of artistic vegetation, musical and otherwise. Hailing from galactivated East Bay environs, an-ten-nae and Dirtwire are continually kicking down the doors of convention, steadfastly ushering in the new sound. Both artists used the Independent, packed to the gills and chock-full of familiar faces, to unveil their freshest and dopest new produce on a busy Thursday night.an-ten-nae opened the festivities just after 9pm, as people began to trickle in off Divisadero I wondered aloud just why an-ten-nae was on the front end of this bill, though we soon would find out. Government name Adam Ohana, the Oakland-based bass icon has long been a provocative purveyor of low-end theory.  One half of demonic masked avengers Dimond Saints, as a solo artist an-ten-nae is now nearly four years into the orgasmic odyssey that is Medicine Crunk, after over a decade concocting its precursor, Acid Crunk. The style/genre of Medicine Crunk is all his own, transcending dubstep, glitch, and trap; his is future music embracing the contemporary, an ever-deepening forest of ILLumination at once emotionally inviting, and sensually invigorating.Possibly the finest practitioner of ‘shanti-ratchet-sexy’, an-ten-nae used this quiet-as-kept opening slot to unveil ninety minutes of previously unheard, all original material, a great deal of it from his forthcoming solo album Medicine. In a display of courage, he began his set with some “top secret” house jams, BPMs that raised a few eyebrows, as four-on-the-floor is still considered a borderline cardinal sin in certain bass circles. I admired his fearlessness, even as he tactfully transitioned to the tribalized tantra that defines Medicine Crunk. The remaining hour and change was populated by a series of inspired, if sometimes unfinished ideas. He eschewed remixing songs of the current zeitgeist, instead forwarding a bevy of original melodies and riddims, at once an-ten-nae to the core, yet in a few ways quite unlike their prodigious predecessors. Bombastic, pulverizing low end was massaged by sensual tones, serpentine fire and a whiff of Palo Santo. Ethereal glitch-hop, smoothed out on the (half-time) R&B tip, with a goddess-pop feel/appeal to it; we drank down the medicine, straight no chaser.Cue the futuristic porch jams with a twist of spaghetti-western psychedelia, Dirtwire is an amalgam of anomaly. The brainchild of David Satori (Beats Antique), Evan Fraser (of the criminally slept-on Stellamara, and world-fusion funksters Hamsa Lila) and Mark Reveley (Jed and Lucia), the trio has been tearing up the underground, setting fire to festival nation with nary a f*ck given. Employing a treasure chest of acoustic weaponry such as guitar, banjo, harmonicas the world over, electric, acoustic and whamola basses, violins and  fiddles, and a laundry list of global percussion instruments, the band could be the ozone lovechild of Toubab Krewe and Midnight Vultures-era Beck.  Gleaning inspiration from the Wild Wild West with a dash of steampunk swagger, Dirtwire is a macrobiotic-cowboy Bob Weir, spinning Burner beats in a Frontierville brothel.Headlining the engagement, the show was in essence a Dirtwire CD Release Party, as the band is releasing their third full length album Showdown on March 9th. Opening with “Damn Rooster”, “Rusted Railway” and the beloved space-bandit groove “Shish Kabobs,” Dirtwire got the audience lubed up with a familiar trifecta before delving into several tracks from Showdown. Coming of age in the West Coast electronic/festival scene, Satori and company have begun to deftly harness their live performance, the instrumentation and electronic accoutrements working in tandem instead of in spite of each other.Recently, Dirtwire has been prone to bringing along an auxiliary member to play a traditional trap kit, in lieu of drum machines or presets. On this night, the bare-bones trio programmed electronic drums, and the beats sounded harmonious, in sonic lockstep with the plethora of instruments wielded by these three amigos. FOH engineer Jason Bruton had Dirtwire sounding as clean and vibrant as I’d ever heard, no doubt enhanced by the wonderful acoustics of this hallowed room. Fraser was particularly impressive on jaw harps, kalimbas, n’goni African harp, among other obscure, indigenous accompaniment. Stand-out jams included the spaghetti-step of “Bridge of Sons”, “Struttin,” and the jaw-harp beatbox of “Yunan.” Dirtwire sent the revelers home with a  twisted, tequila-soaked encore, getting the led out with a roaring “When the Levee Breaks.”Words: B.GetzPhotos: Chris Baldwin Photographylast_img read more

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Dark Star Orchestra Announces 2018 Winter Tour

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first_imgDark Star Orchestra wrapped up their fall tour earlier this month in Milwaukee, and have a second leg of dates ahead of them to close 2017. Today, the Grateful Dead-inspired ensemble announce a winter tour that will keep them on the road for most of the month of February. The winter tour will kick off February 8 in Seattle followed immediately by a pair in Portland, February 9-10. Catch DSO in Eugene and Ashland, OR before they make for the Golden State in Paradise on Valentine’s Day. They’ll return to San Francisco for a duo on February 16-17, then head over to their annual stop in Lake Tahoe on February 18. A SO-CAL and Vegas swing will wrap everything up when they take on Anaheim, Las Vegas, and Los Angeles before coming to a close in San Diego on February 24.The band is preparing to celebrate the 20th anniversary of the first-ever DSO show 11/11/97 when they show up in Albany, NY at the Palace Theater for what is expected to be a very special night. The remaining fall tour will bring the band throughout the Northeast while heading to NJ and Philadelphia for a four-show NYE run. 2018’s first performances are beachside in Runaway Bay, Jamaica within the Jam in the Sand VI Festival featuring four nights of Dark Star Orchestra along with three sets by DSO friends Hot Tuna, and three foot-stomping sets by the Rumpke Mountain Boys, all within the all-inclusive Jewel Paradise Cove Resort.Complete tour dates and ticketing information can be found here.Dark Star Orchestra 2017-2018 Dates11.10.17 Montclair, NJ – Wellmont Theatre11.11.17 Albany, NY – Palace Theatre20th Anniversary Performance!11.12.17 Peekskill, NY – Paramount Hudson Valley11.14.17 Northampton, MA – Calvin Theatre11.16.17 Portland, ME – State Theatre11.17.17 New Haven, CT – College Street Music Hall11.18.17 Worcester, MA – The Palladium11.19.17 Ithaca, NY – The State Theatre11.21.17 Concord, NH – Chubb Theatre11.22.17 Jim Thorpe, PA – Penn’s Peak11.24.17 Huntington, NY – The Paramount11.25.17 Huntington, NY – The Paramount11.29.17 Richmond, VA – The National11.30.17 Richmond, VA – The National12.01.17 Norfolk, VA – The NorVA12.02.17 Washington, DC – The Anthem12.28.17 Montclair, NJ – Wellmont Theater12.29.17 Philadelphia, PA – Electric Factory12.30.17 Philadelphia, PA – Electric Factory12.31.17 Philadelphia, PA – Electric FactoryJam In The Sand – 1.18 – 21.18 Runaway Bay, Jamaica, Jewel Paradise Cove Resort2.08.18 Seattle, WA – The Showbox2.09.18 Portland, OR – Roseland Theater2.10.18 Portland, OR – Roseland Theater2.12.18 Eugene, OR – McDonald Theatre2.13.18 Ashland, OR – Historic Ashland Armory2.14.18 Paradise, CA – Paradise Performing Arts Center2.16.18 San Francisco, CA – The Warfield2.17.18 San Francisco, CA – The Warfield2.18.18 Lake Tahoe, NV – Harrah’s South Shore Room2.21.18 Anaheim, CA – House Of Blues2.22.18 Las Vegas, NV – Brooklyn Bowl Vegas2.23.18 Beverly Hills, CA – The Saban Theatre2.24.18 San Diego, CA – House Of Blues[photo by Benjamin Adams]last_img read more

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Soulive Announce First Run Of 2018

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first_imgToday, fan-favorite soul-funk-jazz fusion trio Soulive announced their first U.S. dates of 2018. The band will head to the Ardmore Music Hall in Ardmore, PA (just outside Philadelphia) for a two-night run on Friday, March 2nd and Saturday, March 3rd.Watch Soulive And Marcus King Tear Up “Whipping Post” During Bowlive [Pro-Shot]The band, comprised of guitarist Eric Krasno, keyboardist/organist Neal Evans, and drummer Alan Evans, has long been a highly sought-after act for more nearly two decades. In recent years, however, the band has played less and less dates, predominantly restricting their U.S. performance schedule to their semi-annual Brooklyn Bowl residency (known as “Bowlive“) and a handful of festival dates.Soulive, Scofield, Marcus King, & The Shady Horns Play “Liz Reed” And “Lovelight” At Bowlive [Videos]In the meantime, the groups prolific individual members have kept busy with a variety of other projects. Neal continues to tour the world with Lettuce and Alan has helped spawn new groups like Matador! Soul Sounds (featuring members of The New Mastersounds, Pimps of Joytime, Orgone, and more). Eric has maintained his usual jack-of-all-trades work schedule, leading his own Eric Krasno Band, continuing to play select dates with Lettuce, and helping lead collaborative projects with everyone from Phil Lesh to John Scofield to members of The Meters, producing albums from groups like The Marcus King Band and The Motet, and lending his songwriting abilities to GRAMMY-nominated records from Robert Randolph & The Family Band and Tedeschi Trucks Band.Soulive Brings Antwaun Stanley, Lawrence, Snarky Puppy Horns To Friday Bowlive Blowout [Videos]The Ardmore Music Hall shows mark a rare hard-ticket, non-Bowlive run for the band, who look to be once again ramping up their performance schedule for the coming year. Tickets for the run go on sale this Friday, December 8th at 12pm EST via the venue website.last_img read more

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Pitchfork Music Festival Adds Headliners To Complete 2018 Lineup

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first_imgPitchfork Music Festival has unveiled their final wave of artists for their 2018 lineup. The new additions to the Chicago festival—set to take place July 20th-22nd—include Saturday headliners/indie sweethearts Fleet Foxes and Sunday headliner Ms. Lauryn Hill.Hill’s performance will celebrate the 20th anniversary of her smash hit solo debut, which netted her 10 nominations and 5 wins at the 1999 Grammy Awards, including “Album of the Year.” You can listen to The Miseducation of Lauryn Hill in its entirety below via Spotify:Ms. Lauryn Hill – The Miseducation of Lauryn HillFleet Foxes and Lauryn Hill are joined at the top of the Pitchfork Music Festival bill by Tame Impala, whose previously announced set at the festival marks their only confirm North American performance of 2018. In addition to the top line artists, the festival will feature performances by Courtney Barnett, The War on Drugs, Chaka Khan, DRAM, Noname, Japandroids, Blood, Raphael Saadiq, Big Theif, Earl Sweatshirt, and many more.Tickets for the 2018 Pitchfork Music Festival are now on sale. For more information, or to grab your tickets now, head to the event’s website.last_img read more

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New Amy Winehouse Biopic In The Works, With Winehouse’s Parents Serving As Executive-Directors

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first_imgThe Guardian reports that a new Amy Winehouse biopic is on the way. Amy Winehouse’s family has reportedly signed a deal to make a biopic about the late singer taken far too young. Monumental Pictures’ Alison Owen (Lily Allen’s mother) and Debra Hayward will produce the film, with Winehouse’s parents serving as the film’s executive producers. Amy’s life story will be written by Geoff Deane, and shooting for the biopic is due to start in 2019. Proceeds from the film will benefit the Amy Winehouse Foundation.Mitch Winehouse, Amy’s father, said the family had previously been approached regarding a biopic but previously felt the time was still not right. In a statement, Mitch Winehouse said, “We now feel able to celebrate Amy’s extraordinary life and talent. And we know through the Amy Winehouse Foundation that the true story of her illness can help so many others who might be experiencing similar issues.”On July 27th, 2011, London Ambulance Service was called to rising-star singer Amy Winehouse‘s Camden flat. Unfortunately, the medics were too late—Winehouse was found dead, having succumbed to her arduous battle with drug and alcohol abuse at just 27 years old. Though she released only two albums before her death—2003’s Frank and 2006’s Back To Black–her work on the two releases catapulted her to worldwide success and recognition. Back To Black netted the singer five Grammys (including Best New Artist, Record of the Year, and Song of the Year) in 2008, tying the record for most wins by any female artist in a single year at that time.Winehouse’s tragically brief career was defined as much by her remarkable talent as it was by her struggles to keep her life together offstage. From an early age, she dealt with a litany of health issues, from drug addiction to alcohol abuse to eating disorders. These problems were only intensified as she saw her popularity and notoriety increase. As Winehouse explained to The Telegraph in her last interview before her death, “I’m not a natural born performer. I’m a natural singer, but I’m quite shy, really…You know what it’s like? I don’t mean to be sentimental or soppy but its a little bit like being in love, when you can’t eat, you’re restless, it’s like that. But then the minute you go on stage, everything’s OK. The minute you start singing.”[H/T The Guardian]last_img read more

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Andy Frasco & The U.N. Adds String Cheese Incident, Galactic, The Motet Members To NOLA Late-Night

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first_imgAndy Frasco & The U.N. has announced a number of high-profile special guests for their late-night performance in New Orleans during Jazz Fest. The show, which will take place on Sunday, May 5th at the Frenchmen Street club, The Maison, will now feature Jason Hann (String Cheese Incident), Lyle Divinsky (The Motet), Maurice Brown (Anderson .Paak & The Free Nationals), Shamarr Allen (Galactic), Mike Dillon, and DJ Williams (Karl Denson’s Tiny Universe).Naturally, the guests Frasco has tapped for the late-night are all seasoned veterans of the live music circuit. Jason Hann is one of the most talented percussion players in the world. As a long-time member of the seminal jam band, the String Cheese Incident, Hann’s creativity and precision as a percussionist are both integral to the band’s sound. Similarly dynamic and wildly talented as a percussionist, NOLA local and Garage A Trois member Mike Dillon will also be on hand as a special guest.Lyle Divinsky has cemented himself as one of the best and most reliable male vocalists in the live music community since joining The Motet in 2016. Maurice Brown is simply an incredible trumpet player. Currently on tour with Anderson .Paak & The Free Nationals, Brown has previously toured with Tedeschi Trucks Band, as well as with a series of notable rappers and jazz musicians. Brown will play alongside fellow trumpet player, Galactic member and New Orleans native, Shamarr Allen. Allen has collaborated and toured with many iconic musicians, such as Willie Nelson, Patti LaBelle, Harry Connick Jr., and Lenny Kravitz, to name a few.Guitarist D.J. Williams is a secret weapon of sorts. Often flying under the radar, Williams is a wildly talented guitarist. After honing his craft for years as a member of Karl Denson’s Tiny Universe, and now as a bandleader with his “Shots Fired” project, Williams has emerged as one of the most talented guitarists in live music today.With all of these guests added to the show, Andy Frasco & The U.N. at The Maison just got a whole lot crazier. Tickets are already on sale via Eventbrite. For a full list of L4LM’s Jazz Fest late-night schedule, click here.last_img read more

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Ghost Light Announces Dead & Company After-Party In Boulder

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first_imgSetlist: Ghost Light | Cervantes Masterpiece Ballroom | Denver, CO | 3/30/19Set 1Best Kept Secret >Leave the Light On >Head Over Heels >*Isosceles >Synth Driver >Living on a Thin Line >Synth DriverSet 2Oh Darling, My DarlingBullseye Blues >I Dare You >Old Fashioned >I Dare You >Diamond Eyes >Bring it In close100 years ago >Beyond/before >^Best Kept SecretE: The Wild One >Diamond Eyes*Tears For Fears cover^Best Kept Secret teaseView SetlistGhost Light’s tour resumes later this week with stops in Austin, Dallas, and Houston, Texas. For a full list of upcoming dates, see below, and head to the band’s website for additional information.Ghost Light Tour4/4 – Austin, TX – Antone’s4/5 – Dallas, TX – Deep Ellum Art Company4/6 – Houston, TX – Last Concert Café4/9 – Fayetteville, AR – George’s Majestic Lounge4/10 – St. Louis, MO – Old Rock House4/11 – Columbus, OH – Woodlands Tavern4/12 – Louisville, KY – Zanzabar4/13 – Covington, KY – Madison Live4/16 – Nashville, TN – Basement East4/17 – Asheville, NC – Asheville Music Hall4/18 – Charleston, SC – Pour House4/20 – Charlotte, NC – Visulite Theatre4/24 – Birmingham, AL – Zydeco4/25 – Jackson, MS – Duling Hall4/27 – New Orleans, LA – Republic NOLA5/9 – Hamden, CT – Space Ballroom5/10 – Brooklyn, NY – Brooklyn Bowl5/11 – Portland, ME – Portland House of Music5/15 – Providence, RI – Columbus Theatre5/16 – Boston, MA – Paradise Rock Club5/17 – Asbury Park, NJ – Wonder Bar5/18 – Washington, DC – The Hamilton5/19 – Corolla, NC – Mike Dianna’s Grill Room5/24 – 5/26 – Long Creek, SC – Long Creek Music Festival5/24 – 5/26 – Chillicothe, IL – Summer Camp Music Festival5/25 – Martinsville, VA – Rooster Walk Music & Arts Festival6/6 – 6/8 – Wellston, MI – Camp Greensky Music Festival6/6 – 6/9 – Stephentown, NY – Disc Jam6/27 – 6/30 – Rothbury, MI – Electric Forest Festival7/5 – Boulder, CO – Boulder Theater7/18 – 7/21 – North Plains, OR – Northwest String Summit7/20 – Roseberry, ID – Summer Music Festival at Roseberry7/25 – 7/28 – Scranton, PA – Peach Music Festival7/26 – 7/27 – Burlington, VT – Tumble Down Festival8/2 – Johnstown, PA – Flood City Music FestivalView Tour Dates Following a successful weekend in Colorado, Ghost Light announced their return to The Centennial State for a special late-night performance on July 5th. The relatively new band will take over the Boulder Theater after Dead & Company wrap up their Friday show at Folsom Field. Tickets to Ghost Light’s late-night show go on sale this coming Friday at 10 am local time and can be purchased via the band’s website.Over the weekend, Ghost Light closed our their four-night Colorado run with a sold-out show at Cervantes Masterpiece Ballroom. In addition to performing their original material from their recently released debut record, Best Kept Secrets, the group–comprised of Holly Bowling, Tom Hamilton, Raina Mullen, Scotty Zwang, and Dan Africano–included a fun-filled cover of “Head Over Heels” by Tears For Fears.Thanks to technology, you can watch the full show stream below:Ghost Light | Denver, CO | 3/30/19last_img read more

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